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池大雅研究序説 : 闊達な画家、池大雅
http://hdl.handle.net/10112/10918
http://hdl.handle.net/10112/109181494536b-f406-4d7c-9c2d-bd0ac24d7d32
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KU-1100-20170331-12.pdf (1.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2017-04-14 | |||||
| タイトル | ||||||
| タイトル | 池大雅研究序説 : 闊達な画家、池大雅 | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| その他のタイトル | ||||||
| その他のタイトル | An open-minded painter: on the artworks of Ike Taiga | |||||
| 著者 |
カラヴァエヴァ, ユリヤ
× カラヴァエヴァ, ユリヤ |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 30181 | |||||
| 姓名 | Karavajeva, Julija | |||||
| 概要 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | The artworks of Japanese painter Ike Taiga (1723-1776) are distinguished by surprising artistic diversity. Moreover, each painting, introduced in this article, includes original features, but at the same time a certain combination of inner peculiarities unifies them into an overall artistic system. The image of "Five Hundred Arhats" shows an exquisite balance of intimacy and grandeur. In the painting technique of the "Morning-Glory Flower" the dynamism is expressed by the rhythm of delicate and bold touch. The "Clear Evening Bamboo" folding screen includes real and symbolic interpretation of the plant that helps to create meditative and synthetic image. "True View of Mt. Asama" with its complicated blended composition is the representation of Taiga's attitude towards mountains and his feeling of nature. Lastly, in the "Orchid and Stone" scroll, poetry, calligraphy and drawing are unified by the same artistic thought, suggesting us to reflect on the concepts of refinement and virtue. Furthermore, the world of Taiga's paintings can be divided into the external part, represented by certain techniques and visual solutions, and the internal part, where Taiga's individual thought is visualized by a specific iconographic interpretation, allowing us to see the painter's sense of values. However, the boundary between the two aspects is ambiguous, unstable and extremely delicate. This feature comes from Ike Taiga's open-minded personality. | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点 | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 松浦章教授古稀記念号 | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | [東アジアの言語と表象] | |||||
| 書誌情報 |
東アジア文化交渉研究 = Journal of East Asian cultural interaction studies 巻 10, p. 163-175, 発行日 2017-03-31 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 18827748 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12327433 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| 出版者 | ||||||
| 出版者 | 関西大学大学院東アジア文化研究科 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 文人画 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 詩書画 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 池大雅 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 南画 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 南宗画 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 関西大学 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kansai University | |||||
