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林閬苑研究 -大坂画壇の奇矯の絵師-
http://hdl.handle.net/10112/10100
http://hdl.handle.net/10112/10100568599c9-2565-47fb-aef4-5863413f8c78
名前 / ファイル | ライセンス | アクション |
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KU-0400-20160331-02.pdf (8.5 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2016-05-20 | |||||
タイトル | ||||||
言語 | ja | |||||
タイトル | 林閬苑研究 -大坂画壇の奇矯の絵師- | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
その他のタイトル | ||||||
その他のタイトル | Study of Rin Ryoen: An eccentric Osaka painter | |||||
言語 | en | |||||
著者 |
中谷, 伸生
× 中谷, 伸生 |
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概要 | ||||||
内容記述タイプ | Other | |||||
内容記述 | The paintinggs by Rin Ryoen, a painter in Osaka painting school (Osaka gadan), were influenced by the Kano school, the Shijo school, the literati paintings, the Nanbin school, and Western paintings, as well as Ming and Qing paintings. The range of his paintings is so diverse it is hard to encapsulate his entire collection in one phrase. Ryoen's multi-faceted collection typifies works by Osaka painters, who had the liberty of making art without worrying about the constraint of the relationship between a master and an apprentice. Unlike Edo and Kyoto art circles, which enforced strict master-apprentice relationship, Osaka painting school allowed painters to adopt painting styles beyond the boundaries of schools under more flexible master-apprentice relationship. Osaka painting school thus provided the ground for a broad spectrum of paintings like Ryoen's. If I were to choose a word that characterizes Ryoen's painting style that is consistent throughout his diverse collection, it would be "eccentric." | |||||
言語 | en | |||||
内容記述 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 東アジアの言語と表象 | |||||
言語 | ja | |||||
内容記述 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点 | |||||
言語 | ja | |||||
書誌情報 |
ja : 東アジア文化交渉研究 = Journal of East Asian cultural interaction studies 巻 9, p. 17-35, 発行日 2016-03-31 |
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ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 18827748 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版者 | ||||||
言語 | ja | |||||
出版者 | 関西大学大学院東アジア文化研究科 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 林閬苑 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 大坂画壇 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 奇想の画家 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 奇矯な絵師 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 南蘋派 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 関西大学(Kansai University) |