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浮世絵版画における中国民間版画の影響ー鈴木春信を中心にー
http://hdl.handle.net/10112/7392
http://hdl.handle.net/10112/7392fd9f3eac-77aa-43b0-acd3-ccaa0ccd34aa
名前 / ファイル | ライセンス | アクション |
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KU-1100-20120324-11.pdf (6.7 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2012-12-03 | |||||
タイトル | ||||||
タイトル | 浮世絵版画における中国民間版画の影響ー鈴木春信を中心にー | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
その他のタイトル | ||||||
その他のタイトル | The Influence of Chinese Woodblock Prints in Ukiyo-e Prints | |||||
著者 |
清川, 敦子
× 清川, 敦子 |
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著者別名 | ||||||
姓名 | Kiyokawa, Atsuko | |||||
概要 | ||||||
内容記述タイプ | Other | |||||
内容記述 | Many art historians stated the influential facts on ukiyo-e from Chinese woodblock prints. During the Edo period the woodcuts of Suzhou (soshu-hanga) were imported into Japan at Nagasaki trade and they played very important role for the development of ukiyo-e. In this paper I look into few important phenomena how Chinese woodblock prints influenced ukiyo-e prints from the views of the pioneer nishiki-e artist, Suzuki Harunobu. He may have had the opportunity to see the woodcuts of Suzhou because he was in the environment which Hiraga Gennai and other professionals had accepted new cultures from abroad. This paper discusses the similarities between Harunobu's works and the woodcuts of Suzhou, and the possibilities which Harunobu had created his works by taking hints from Chinese woodblock prints as he was one of the internationally influenced artists. | |||||
書誌情報 |
東アジア文化交渉研究 東アジア文化研究科開設記念号 p. 129-142, 発行日 2012-03-24 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 18827748 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版者 | ||||||
出版者 | 関西大学大学院東アジア文化研究科 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 錦絵 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 蘇州版画 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 鈴木春信 |